Each song's eq might seem best by itself, but if you sequence them together, all of a sudden one song sounds too intense (or too dull ...). Suggestion # 1: keep in mind that any eq changes to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz since your mix sounds muddy, remember to examine how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not simply to control a mix or to include character, but likewise to "print" or send as much level to the master as possible without clipping the signal.
Spacing & Crossfading.
Spacing: there are various viewpoints regarding how one ought to approach the areas put in between songs on a record. Some feel the downbeat of one Trap Instrumentals tune ought to fall at the start of a brand-new bar, in the tempo of the previous tune (to continue the flow.) Others believe you ought to prevent this like the plague, due to the fact that it diminishes the effect. In the end, do whatever feels right. There is no requirement. Cross-fade your songs if you like, or place 6 seconds between them. (2-4 seconds prevails in most popular, non-classical records, however it's up to you.) Final pointer: you may be inclined to master the very same recordings that you mixed, whether it is for monetary reasons, innovative factors, or merely due to the fact that you can. We highly suggest that you get somebody else to master your project. The objectivity and fresh ears they give the table invariably lead to a stronger, more cohesive album.
Typical areas of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing between tunes. Or you might have ten tunes blended by 3 different engineers in five various studios.
Each song's eq may seem best by itself, but if you sequence them together, all of a sudden one tune sounds too bright (or too dull ...). Suggestion # 1: keep in mind that any eq modifications to your stereo mix affect the whole mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to check how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not just to control a mix or to add character, however likewise to "print" or send as much level to the master as possible without clipping the signal.
